The settings I preprogram into C1, C2, C3 on both cameras to different general lighting conditions. The 70-200mm also allows you to capture candids, from the tears at a wedding ceremony to the laughs at a wedding reception. When it comes to the ceremony and reception, zooms like the 24-70mm and 70-200mm f2.8 really excel . Weddings are not so much about quality, as versatility. I will replace the 135 with the Canon 100mmL Macro Lens for detail shots and even for portraits. This would be very helpful to other photographers to further make the case for the different lens selection choices. If you havent done so already, check out our Lens Wars series,the ultimate visual guide to real world differences between a whole host of Canon professional zoom lenses and primes. their images and processing are always spot on from a technical standpoint but they often (but not always) lack any genuine emotion or connection. Are these still your top 6 lenes? wedding photographers bristol, I have a 90mm Macro 2.8 Tamron and a 11-18mm 5.6 Tamron Canon mounts and a 18-135mm Canon lenses. The forth lens would be a fast 50mm. You need some kind of tele. Essential Wedding Photography Tips for Beginners, Time Saving Tips for Wedding Photographers, Nikon 50mm f/1.8G for Wedding Photography, Tips on Photographing Wedding Formals and Group Portraits, Wedding Photography Tips: Synchronize Your Cameras. For me the best wedding lens ever is Nikons 14-24 f/2.8! Thanks a lot, Pye, for the extensive review about the perfect lenses for portrait photography. The 24-70 is ideal, but the 24-105 is far more versatile in situations where a little extra zoom compression is necessary. I know people who have the new 5d mark III and their images lack creativity. I am not a pro, but I have been as second shooter in weddings and a good glass is very useful for dificult situation. To which I practice both crafts. Canon 24-105 f4 IS L There are no good zooms around for less than $1500. Once my favorite lenses as a nature photographer- the 100mm macro gets used for only about 5 frames for the ring shot. I will be at work. Three bodies is MAX, one as a back up and with the lens (prime high speed) which you will only use for some shots in your plan (for example) is ready to go. The ultra wide angle helps you capture the environment. How To Connect A Monitor To A Laptop And Use Both Screens? W-SE regularly updates cyber attacks, hacking and events that provide IT security professionals with information throughout the world. 70-200 is II 2.8 However we certainly cant encourage new photographers to show up to a wedding with nothing but a 50mm, of course. I have a question among Nikon and Canon images(cameras with same range). Enjoyed your article, some really great pics! Great! I think everything is a question of equilibrium.. I also own the previous version the 70-200mm F2.8L NON IS and I find that there is about 1 stop difference that I can achieve with the IS. I purchased it because my 24-105 had a issue and needed repair but I had a wedding the same week. Nasim Mansurov is the author and founder of Photography Life, based out of Denver, Colorado. During Nikon D3500 wedding photography, talking about shutter speed, all depends on the topic you concentrate on during the wedding shoot. I am just starting out in the photography world. Dark churches with no-flash rules, blazing sun with no shade, all in the same day! ( I am a much better at the latter). Your articles are really good. Would appreciate your advise. If budget is an issue, get a cropped-sensor camera like the Nikon D7200. Here is a subjective list of 6 must-have lenses for any given wedding. (Im a Nikon wedding photographer, looking to use my 25-70 2.8 less in order to gain sharpness and better bokeh). Ten lenses? With the ISO capability of todays cameras combines with anti-shake/VRyou can always bump it up if you need more light than 2.8 will give you. I think these are great lens suggestions and the article makes for good reading. SIGMA 70-200mm F2.8 EX DG OS HSM: Wow! Thank you! This article was updated in April 2014. No, it would be professionally irresponsible to have such a limited coverage and no backup. Next: 70-200 is way too bulky for PJ style and even other style when you must carry it for 6-12 hours, I tried once and that was enough . Thanks a lot! Shooting in RAW is just as important as having the right gear. Does that make me a pro or make him a whack? Mike, thats probably because youve been shooting for a while and you know your style very well. Ill place in order what IMO should be purchased and why. besides the obviously larger aperture, the focus of the 1.4 is much faster. Results are here http://www.fotorumba.de , no one will convince me to sweat carrying full bags of equipment, you can use a lot of gear or only few and deliver same results in the end of the day, often you miss shots while considering lenses or changing them, I see no sense in calling all these lenses must have, I consider it just an opinion of one or two overPRed photographers targeting to beginners who did not find their style and work flow yet. The 85mm f1.8 comes out only when the guests are seated and the 50mm and 17-40mm come out only when the guests are on the dance floor. Very informative. I use a 24-70 2.8 L and 70-200 2.8 IS L on a canon 6D. Hi! Its like paint-by-numbers for photography and its especially evident whenever they talk about gear. It creates beautiful bokeh (blur) at f/2.8, and the compression you get when youre zoomed in from 150-200mm gives your image a look thats hard to achieve with any other lens. Macro adapter: Not everyone has the money to buy $5,000 or $10,000plus in lenses, and not everyone is in the position to need to make that kind of investment either. In total, we tested 25 Canon lenses valued at over $40,000 dollars starting from 17mm to 300mm focal length. @me: I think you guys should focus more on your own photography and creativity than others.. And gotten it not even a word by the way!! Thinking about getting a canon EF 28-300mm f/3.5-5.6l IS USM for my Canon Mark IIIwhat are the thoughts and concerns with this lens. Ill take a look at that. 8 x Canon LP E6N Rechargeable Battery the standard professionals set-up) will do the job. Shoot a lot. 4. In DJ-ing world, to be acknowledged as a pro- dj, you have to have that angelic glow in the dark apple logo. I dont really like the look and feel of the bokeh on the 24-70mm, I feel like everything comes out looking too standard. Even, when catching far-away topics, the same flash is not that successful and this is where you have to put an external flash into play. [] Must-Have Lenses for Wedding Photography 6 Must-Have Lenses for Wedding Photography __________________ my Site and Blog Nikon Shooter Member NAPP, []. day Free Trial. However I should mention that I shoot a lot of flash, not a whole lot of natural light. Some people are content with just two fast primes, some shoot 90% of stuff with their 70-200, some just shoot 50mm or 35mm/ X100 camera. Do the patrons care? Also you can Hire to test out what YOU think of the lenses peformance . If you know what the heck youre doing, you can accomplish quite a lot with almost any gear. Good vs Great | Free 1 Hour Training by Pye [Watch Free]. As I am a Nikon shooter, Id say the Nikon 14-24 is a big nice-to-have, as are the Sigma 35mm, 50mm, Nikon 85mm and Sigma 105mm macro. I mostly shoot company events and for those I carry the 70-200mm f2.8L IS II and the 24-70mm f2.8L, with these I capture 90% of shots. First, I dont know anyone who uses 6 lenses when shooting a wedding4 tops. Great for candids. For the most part, we have similar taste. Canon 50 mm f1.8 AED 300 (Cheapest, so until its very different form 50mm f1.4, I can go for this) I like my 18-200 for most things even though I get a little bummed out with soft corners). I keep one body at hands, 16-35 for any case, 35 1.4 60% of time, 85 1.2 30% of time. You write amazing article ,You capture nice wedding photographs.I use 24-70mm f2.8 lens for capture wedding photographs.Thanks for sharing information. So why did I tell the reader not to photograph the wedding with the D3000 and a kit lens? Fellow DJs and promoters give you the benefit of a doubt once you power up the 2000+ laptop. A lot of times I see a shot one way, only to zoom in and take the same shot and like it better when looking in post. take a lot of test short again to find the sweet spot of ur lens from f3.5 to say f11 in between after zooming in ur photo u will at certain f/stop notice the picture is at its sharpestbingo! Nice tripod. The 70-200 is great for portraits when you want great compression. So i guess my question is will the following equipment not suffice? I also use a 35mm f2.8 and find that with todays digital cameras and high ISO 2.8 is as low as I need. So, on the one hand, dont feel limited or disqualified by gear. Marketing yourself as a professional photographer without 2.8 glass is another thing. Having a bunch of primes just limits your creative ability(unless you are really good). Scotty, I think most successful wedding photogs would say it takes so much more than just lenses, cameras, and equipment to be good at what you do. You wouldnt shoot a wedding with chrome your would shoot it with negative film. Needless to say, I post process ALL my photos, every single one. Thats it! Canon EF 100mm f2.8L Macro IS USM Lens a good lens range 16-35 or 17-40 for wide and 24-70 for mid n 70-200 for zoom. I have accosted my brother and forced him to allow me to video his wedding. That doesnt mean they cant produce high quality images, or that they shouldnt try. (Nothing against DELL) Because he knows how to do his job well with his non pro equipment. 4 x 2550 mAh High Performance Panasonic Eneloop Pro XX Rechargeable batteries in Kraftmax Battery Box 16 Pack. I could go on an on but Ive covered the primary uses and the setup hope it helps a few. One lens that I can use to shoot entire wedding as secondary photogph, party in one go without changing. I use 3 for the primary setup. And thats so bad about this situation. Yes, most modern DSLR cameras are great and even the cheapest entry-level DSLRs today are equipped with a better image sensor than the most expensive cameras from a few years ago. Sometimes I add the 100mm 2.8L IS when I dont want to carry the 70-200mm lens which is insanely sharp. I own 5 Canon 600-RT flashes. The remaining 10% is shared by the 16-35mm f2.8L II and the 15mm f2.8. However as far as must-have lenses are concerned, its tough to recommend such specialty items. and keep a good quality close up filter in your jacket pocket for the closeup shot of ring. Wonderful article . One lens to rule them all, great bokeh, sharpness, focusing and build quality. A wedding is an experience, sure perfect images and world class camerawork are ideal but not accessible to all. f/1.4 is more for creative purposes. Six lenses is far too many. Thats why we as wedding photographers invest years in finding the best wireless flash solution, (click here) and why we invest many thousands of dollars on lenses. Total cost about 2800. :o). TIA. If you need to see what SLR Lounge says so you can build your wedding kit then there is a good chance you probably shouldnt be shooting a wedding yet. What I am looking for is one lens for family / individual portraits and wedding / party/ group pics. I have yet to do a full wedding, but I intend to add the 24-70mm F/2.8L II, and the 100mm F/2.8L Macro IS in the near future. Gret article! For this reason I went out an purchased a two slot FF Canon. Some of my best weddings were shot on only 3 lenses (16-35mm, 50mm, and 70-200mm). I agree with the authors about large apertures.. Brandon, I would have to agree that I love the additional range on the 24-105mm. I just entered the Wedding photography business, last engagment i used a 18-55 EF-S lens, my pictures keep out pretty good but these six lens just makes it 100 times better. Gummy worms Really nice setup! Nice article though all Nikon, we get the picture It wasnt too long ago that I was on a crop camera with so-so lenses. Awesome article here, I agree withFotograf Profesionist Nunta. I recently added a 200mm f/2.8 L series to my arsenal. !Which lens filters do you recommend the most for shooting a wedding or portraiture during harsh light conditions, such as mid day sunlight? And it can double duty for the telescopic compression Nope. Though I need more practice, I can see the results are much better than my crop camera. Canon EF 50mm f/1.4 USM Lens AED 1000 I could see Nikon images are sharper than Canon whereas Canon images are colorful than Nikon. I shoot with an entry level canon and have gotten some awesome images out of it. If Im confident and Ill own more useful glass by the time of the wedding (October 2016), do you think I will be okay? My point is unless you are getting to the point where you are doing a half a dozen or more weddings a year, and/or other work (Or play photography wise) you do warrants investing in the optics required , Why not Hire ? weddings, you miss 90% of the shots. However, for event photography, I noticed some drawbacks. If you are serious. ;-). Im a huge fan of the Tamron 90mm f/2.8 Di VC USD. I know those locations. So I started to ask why cant a novice make a good wedding video? On the other hand, it is strongly recommended to keep the ISO sensitivity to ISO 100 if the atmosphere is fairly bright and harsh. I come back to this article and read the responses and Its interesting to me that a wedding can be broken down into different sections and It would be nice to get granular in lens choices for each section of the wedding. Canon 70-200 f4 IS L I think the last breed of fols love more people and love being inside of action. Your account will be downgraded to a Free Account at the end of your Premium Membership trial. Beside having most of the lens you mentioned w/ me on my last assignment, I found myself shooting w/ the 35 & 135 80% of the time. Its not about complaining about the weight, its about the quality you bring to your clients! Everyone starts with lower quality gear unless they are independently wealthy. 70D with a 50mm 1.8 (the cheap one) charged up and with a clean memory ready to go (in my car trunk in case my bag gets stolen or i get mugged). I understand its very challenging but I am not looking to compete with any professional wedding photographer also. Any super wide angle. I dont think my friend realized that if I am to photograph her wedding, I am not invited as a guest. If you want to go pro with your wedding photography the 3 wedding lenses below would be the best pair with your Nikon D3500. The DJ can walk in with a DELL inspiron running windows XP and still make people dance the night away. Although I use flash just in some situations where it has to be used or for an artistic purpose, mostly i depend on the lenses and natural light. Please enter your username or email address to reset your password. Backup gear: I have a fantastic 35-200 that covers mostly everything. 2- canon 580 Now, even though this masterpiece comes with some great features, you really have to learn about certain ideal Nikon D3500 wedding photography settings in order to live up to your clients expectation during a wedding shoot. The home bleaching method may lasts up to several months but it is more dependable on the lifestyle of the patient. A fast 35 and 85 would cover 95% of my needs in a wedding, but I dont mind having a wider lens also. Definitely worth the extra cash. If not what are you guys using now? Im in the same boat as you, Id love to shoot an entire wedding with just a 35 and 85 combo. This is my favorite lens. With these two, I am able to take general purpose and distant pics. canon 10-22 Everything else is based on your creativity. I will post results here and I am honest 100% when I say I havent owned a camera my mobile aside for 10 years and never edited in my life. The 50mm F1.2 is nice, but I find that its impossible to shoot anything moving at F1.2, and around F1.8+ I cant really tell the difference between the 50mm F1.4. I also use the nikon 85 1.8 and it is a perfect low cost supplement to the 24-70 that avoids most of the distortions. Now this is a debate that could last for years but theres no right or wrong. So your point is moot. 70-200, 24-70,100 macro I was wondering what you keep your lenses stored in when working with these lenses? Canon EF 16-35mm f/2.8L II USM Lens :-). As mentioned is dis article, d mo u shoot d better u understand ur needs for which lens compliments ur shooting style. I dont shoot weddings but I intend to do in future. During the reception Ill place the 24-70 on the 5DIII and set it up for off-camera flash. Changing lenses or trying to capture shots in reduced areas becomes very tricky. God forbid youre stuck with 3.5 minimum aperture in a dark church with a no-flash rule! The camera is not as important. The 70-200mm would be too compressed for this situation, and the 50mm would not provide enough versatility, as you typically dont have much room for movement. 2) 50mm F1.4 People use 70-200 f2.8 zoom lens in wedding bcos some times u r restricted from taking photos too close. A natural light photographer might want a completely different set-up. . I do not know why but the last lens that I got on the list was the 85mm. Sold off most of my zooms as I just wasnt using them. Now, in line with the surroundings you are aiming at, this is where you have to be extremely vigilant about it. I had an SD card go bad during a wedding and had no idea. I also have an old T2i body on my camera bag just in case. It is a great substitute to the 70-200 vr ii at less than half the price. the larger the opening and there4 mo light. My goal is to get the 70-200 Canon and the 50 1.4 Canon. impress people with, but the 85 1.8 is far more Having all the lenses in the world is great but having the right lens on the camera at the right time is more important. I dont know why people think that these two notions cant go hand-in-hand, because they surely can! It is a smart idea to invest in a tripod while talking about stability. Canon EF 50mm f/1.2L USM Lens The original article also included the15mm f/2.8 Fisheye lens which we no longer use. I like the 70-200 VRII for the close ups, placing of the rings etc. I love this article. 2 profoto b2s 135L should be mentionned much sharper than the 70-200f2.8, but for me the number one lens is the 35L.35mm is just perfect, so close to natural vision and at 1.4 beeing abble to isolate a subject with the narrow dof with a wide angle lens is amazing. You are expected to film in venues with uneven lighting conditions. But having the luxurious gear when you know what you are doing makes your quality much better, faster, and easier to work with. In short, am looking for just one more lens that I can use to shoot entire wedding/party/group/portrait as secondary photogph. Not really. In my experience shooting weddings just part time, I dont think I would really say that a 16-35 is super necessary, but I can see how people would flock to this in other locations/circumstances, I just havent ever needed the wide angle option. Gear doesnt make a good photographer, it helps a good photographer work better and faster. I dont know. These three lenses are enough to do the important thing done. would you say I am good to go in a small church with flash allowed? It has to fire every single time without fail, and to deliver flawless sharpness at all apertures from center-to-corner. 3. I spent 850 on the 28-70 $500 on the 18-200 the 70-200 is over one thousand used. This allows me to spend less time figuring out where I put the lens cap and more time on the moments I was hired to capture. Canon EF 200mm f/2.8L II USM I agree with you 100%! Thanks for share this blog. You gained one view of your article but I guarantee you that I will never read your articles again. and thats it. Sometimes I shoot all wedding from start till end just with that one lens. for your kit lens, at 18mm the minimum is at f3.5 u cannot go any lower (try it out), which is how wide the lens can open to allow light in. at 55mm the minimum is f5.6. I used to use a 70-200mm f/2.8 for every wedding I shot, but for the last two I used my 85mm f/1.8 and the results were surprising. Canon Camera Remote Control Cable TC-80N3 Again, a camera is just a tool and one can take exceptional pictures with pretty much any camera today. He is recognized as one of the leading educators in the photography industry, conducting workshops, producing educational videos and frequently writing content for Photography Life. Though I would have to say I hate shooting on the 24-70mm. Ive shot in dark churches at f/4 quite a lot actually. I will be getting an 70-200 f2.8 as soon as I can afford it. Login to access your dashboard, watch tutorials, submit photos for critiques and and get recognized for awards. Below is a self portrait with the 80-200, apologizes in advance for the lack of a smile, havent quite mastered that just yet. You cannot shoot a wedding without one. Macro/Micro. and lastly, sigma art 35mm or Nikon/canon 35mm? Thats not to say you shouldnt invest in good glass, no doubt you should if you are making money off of your photography and/or want to further the capabilities of your equipment. :). Just like expensive cameras that can produce bad photographs. Thanks Terry. We also train people with product reviews in different form of content. Great article! I bought some video editing software and I had no idea how to use that. I started weddings this year. I know that I am opening up a can of worms here, but here is my personal take on the subject. I used to shoot with multiple 8gb memory cards for safety, but i realised changing memory so often wears them out quickly. 70-200 2.8 (For the ceremony) 15% Seriously, these guys just recently within the last year or so finally advocated that people stop doing train track shots not because its corny and awful and boring but because its not safe and someone might get hurt. Then one goes on the secondary body for the walk around. Great. Without much thinking, I responded to the query by saying that he/she should not photograph the wedding and perhaps leave the task to someone who knows what equipment to use and more importantly, how to use it. When you realize that even your photos arent going to be perfect when other photographers look at them, I hope you enjoy the reality of the criticism and negativity that the eye of perfection is seen through. Oh this is SO perfectly written.Nice captures. I shoot a lot with 500 mm 1.4, [] Yes, in high-pressure professional situations you need a system that you can trust absolutely. Do you have one bag or multiple? Tilt-Shift Lens I love my Sigma Art 35 1.4 and the Canon 135 2.0. 70- 200 F2.8 VRII is the best that you can use even for Landscape Photography. Wedding photography with Nikon D3500-shutter 24-70mm . The 70-200 2.8 is a brick to carry around during an That being said, I have produced some great images with lower end lenses under less challenging situations. I then remembered watching videos of photographers getting sued by couples for failing to deliver images, getting their gear stolen after photographing many weddings and failing to properly backup images and many other problems encountered by newbie photographers. I can see that it is a lot of weight to be carrying and can see that changing lenses can mean missing a shot but when working in low light conditions without flash you do need to work with such lenses. hahaha dude thats my setup for weddings, i used to shoot with the 24-70mm f2.8 and never be happy and it is heavy as hell, now i change it for the 24mm f1.4L ii and its other world to me, with these 6 lenses i shoot a wedding very well and they pure quality. Start with the 50mm, 85mm, and you will definitely get more Clients down the road to buy more lenses. EF 24-70mm F/2.8L II USM Zoom Lens all 3 lenses will hv different cost based on the f/stop u purchase. fotograf nuna, cameraman nunta, fotograf de nunta, videograf nunta, Simple Nikon CLS Wireless Flash - How We Shot It, Simple Nikon CLS Wireless Flash How We Shot It | Photography Tutorials and Lightroom Tutorials by SLR Lounge, iPhone Photography Tutorials (And Other Smartphones). Everything else is extra and not necessary. After I read your post (magnificent as every post of your page), I have to ask you if this will be a good way to start in this field, I have several years shooting street photography and some portraits but only for fun, now I want to become a pro and improve myself.
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is nikon d3500 good for wedding photography